What do we mean when we say
This colour is Prussian Blue?
One of two things (at least):
Type theoretic construction
What would be a proof of this latter identity? it would depend on the type formation of colour and other presuppositions. A proof might involve matching to a standard sample by transport, which presupposes a huge amount about colour constancy, the nature of objects, etc. Were something to change colour according to temperature, then we wouldn’t be happy taking our sample to an official chart kept in a room where the temperature changes. Rather like the metre rule or the kilogram once in Paris.
Also there is the issue of time. We still say “this colour” when pointing at a light whose hue changes. On the other hand, as Cassirer observed, we see objects as retaining their colour even when moved to other lighting conditions. E.g., a white piece of paper viewed under a green bush is still seen as white, perhaps invariance relative to surrounding light.
The type evidently has more structure than merely being a set. For one thing there is a lighter/darker relation, for another there is a specificity ordering, e.g., Prussian Blue to Blue. Third, there is a proximity relation, orange is closer to red than blue is.
How does identity fit with the way a type is given via introduction/elimination/computation?
Do I know what is , given .
So .
The elimination rule then says that if:
then we can construct a canonically defined term for any , , and , by “transporting” the term along the proof of equality .
So let , and , then there is .
Similarly for .
Do I know what is , given .
So .
The elimination rule then says that if:
then we can construct a canonically defined term for any , , and , by “transporting” the term along the proof of equality .
So let , and , then there is .
Last revised on December 14, 2021 at 09:14:12. See the history of this page for a list of all contributions to it.